新概念優(yōu)美背誦短文 鋼琴

Piano

鋼琴

The ancestry of the piano can be traced to the early keyboard instruments of the fifteenth and sixteenth centuries -- the spinet, the dulcimer, and the virginal. In the seventeenth century the organ, the clavichord, and the harpsichord became the chief instruments of the keyboard group, a supremacy they maintained until the piano supplanted them at the end of the eighteenth century.

鋼琴的家系可以追溯至15至16世紀(jì)早期的鍵盤樂(lè)器，包括小型撥弦琴、洋琴和維金娜琴。17世紀(jì)時(shí)風(fēng)琴、敲弦琴和撥弦琴成為鍵盤樂(lè)器類的主要成員。這種至高無(wú)上的地位一直為它們所保持，直到18世紀(jì)末期鋼琴將它們?nèi)〈?/p>

The clavichord's tone was metallic and never powerful; nevertheless, because of the variety of tone possible to it, many composers found the clavichord a sympathetic instrument for intimate chamber music.

敲弦古鋼琴的音調(diào)有金屬的音質(zhì)，缺乏雄勁。然而由于它的音調(diào)變化多，許多作曲家發(fā)現(xiàn)對(duì)于親切的室內(nèi)樂(lè)是一種得體的樂(lè)器。

The harpsichord with its bright, vigorous tone was the favorite instrument for supporting the bass of the small orchestra of the period and for concert use, but the character of the tone could not be varied save by mechanical or structural devices.

人們最喜歡用具備明快有力音調(diào)的撥弦古鋼琴來(lái)配合當(dāng)時(shí)小型管弦樂(lè)團(tuán)的低音樂(lè)器以及在演奏會(huì)上演奏。但它的音調(diào)難以變化，除非使用機(jī)械或構(gòu)件裝置。

The piano was perfected in the early eighteenth century by a harpsichord maker in Italy(though musicologists point out several previous instances of the instrument).This instrument was called a piano e forte (soft and loud), to indicate its dynamic versatility; its strings were struck by a recoiling hammer with a felt-padded head.

18世紀(jì)早期的意大利，鋼琴在一位撥琴鋼琴制造者手中得到完善(盡管音樂(lè)理論家們指出有更早的例子)。 這種樂(lè)器被稱為piano e forte(意大利語(yǔ)，柔和而響亮的)，以顯示它有力的多樣性。 演奏者用一個(gè)頭部帶皮氈的彈擊樂(lè)錘敲擊琴弦。

The wires were much heavier in the earlier instruments. A series of mechanical improvements continuing well into the nineteenth century, including the introduction of pedals to sustain tone or to soften it, the perfection of a metal frame, and steel wire of the finest quality, finally produced an instrument capable of myriad tonal effects from the most delicate harmonies to an almost orchestral fullness of sound, from a liquid, singing tone to a sharp, percussive brilliance.

更早的這種樂(lè)器之上的金屬絲要重得多。從此，持續(xù)到19世紀(jì)的一系列機(jī)械上的改進(jìn)，包括引入踏板以維持音調(diào)或使其柔和，改善金屬框架，以及使用最佳性能的鋼絲，最終產(chǎn)生了一種具備無(wú)數(shù)音調(diào)效果的樂(lè)器。這些效果涵蓋了從最精致的和聲到幾乎全部的管弦樂(lè)音響，從明快流暢的吟唱的音調(diào)到尖銳的打擊樂(lè)器的清晰動(dòng)人的恢宏氣勢(shì)。