數(shù)據(jù)顯示 女性領(lǐng)銜主演的電影票房更好

A new study that analyzed four years' worth of films found that female-led movies have consistently outperformed those in which men get top billing.

一項(xiàng)分析了四年來(lái)電影價(jià)值的新研究發(fā)現(xiàn)，女性領(lǐng)銜主演的電影在票房上的表現(xiàn)一直好于男性領(lǐng)銜主演的電影。

The study analyzed the 350 top-grossing films worldwide released between January 2014 and December 2017.

這項(xiàng)研究對(duì)2014年1月至2017年12月期間全球上映的350部最賣座影片進(jìn)行了分析。

Researchers found that in films with small, medium and large budgets, all averaged better global grosses when a woman was listed as the lead star.

研究人員發(fā)現(xiàn)，在大、中、小預(yù)算的電影中，女性被列為領(lǐng)銜主演的影片，全球平均票房成績(jī)要更好。

Conducted by the talent agency Creative Artists Agency and the tech company shift 7, the study found that films that passed the Bechdel test do better, too.

這項(xiàng)由人才經(jīng)紀(jì)公司創(chuàng)新藝人和科技公司shift7開展的研究發(fā)現(xiàn)，能夠通過(guò)貝克德爾測(cè)驗(yàn)的電影，成績(jī)也更好。

The Bechdel test, an invention of the cartoonist Alison Bechdel, rates whether a movie features two female characters having a conversation about something other than a man.

貝克德爾測(cè)驗(yàn)是漫畫家艾莉森·貝克德爾的發(fā)明，用來(lái)評(píng)判一部電影中是否有兩個(gè)女性角色談?wù)撨^(guò)除男人以外的別的話題。

Researchers found every $1 billion film at the box office -- including films like "Star Wars: The Force Awakens," "Jurassic World" and "Beauty and the Beast" -- passed the Bechdel test.

研究人員發(fā)現(xiàn)，每一部票房達(dá)到10億美元的電影--包括《星球大戰(zhàn)：原力覺(jué)醒》、《侏羅紀(jì)世界》和《美女與野獸》等--都通過(guò)了貝克德爾測(cè)試。

Among films that cost more than $100 million to make, the ones that passed the Bechdel test grossed on average $618 million worldwide, while those that didn't averaged $413 million.

在制作成本超過(guò)1億美元的影片中，通過(guò)貝克德爾測(cè)試的影片在全球平均票房為6.18億美元，而沒(méi)能通過(guò)測(cè)試的影片全球平均票房為4.13億美元。

"Women comprise half the box office, yet there has been an assumption in the industry that female-led films led were generally less successful," CAA agent Christy Haubegger, who participated in the research, said in a statement. "We found that the data does not support that assumption."

參與這項(xiàng)研究的創(chuàng)新藝人經(jīng)紀(jì)公司經(jīng)紀(jì)人克里斯蒂·豪貝格在一份聲明中表示：“女性占了一半票房，但業(yè)內(nèi)一直存在一種想當(dāng)然的臆斷，認(rèn)為女性領(lǐng)銜主演的電影通常不那么成功。我們發(fā)現(xiàn)，數(shù)據(jù)并不支持這一臆斷。”

For budget data and determining lead actor, researchers depended on data from the Nielsen's box-office data collection company Gracenote. Gracenote's Studio System defines a "female lead" as a woman who is listed first in official press materials.

在確定影片的預(yù)算和主演時(shí)，研究人員使用的是尼爾森公司旗下負(fù)責(zé)搜集票房數(shù)據(jù)的格雷斯諾特公司的數(shù)據(jù)。格雷斯諾特公司將“女性領(lǐng)銜主演”定義為在官方宣傳材料中排在第一位的演員為女性。

Of the 350 films studied, 105 qualified as female-led and 245 registered as male-led.

在所研究的350部電影中，有105部影片符合“女性領(lǐng)銜主演”的標(biāo)準(zhǔn)，另外245部影片則被記錄為“男性領(lǐng)銜主演”。

The greatest gap was in larger budgeted films. In movies with a budget greater than $100 million, there were 75 male-led films and 19 female-led films.

大預(yù)算影片在這方面的差距最大。在預(yù)算超過(guò)1億美元的電影中，男性領(lǐng)銜主演的影片有75部，而女性領(lǐng)銜主演的影片只有19部。