雙語(yǔ)·邦斯舅舅 二十九、古董商的肖像

XXIX

When Remonencq came hither in 1831, after the Revolution of July, he began by displaying a selection of broken doorbells, cracked plates, old iron, and the obsolete scales and weights abolished by a Government which alone fails to carry out its own regulations, for pence and half pence of the time of Louis XVI are still in circulation. After a time this Auvergnat, a match for five ordinary Auvergnats, bought up old saucepans and kettles, old picture-frames, old copper, and chipped china. Gradually, as the shop was emptied and filled, the quality of the stock-in-trade improved, like Nicolet's farces. Remonencq persisted in an unfailing and prodigiously profitable martingale, a "system" which any philosophical idler may study as he watches the increasing value of the stock kept by this intelligent class of trader. Picture-frames and copper succeed to tin-ware, argand lamps, and damaged crockery; china marks the next transition; and after no long tarriance in the "omnium gatherum" stage, the shop becomes a museum. Some day or other the dusty windows are cleaned, the interior is restored, the Auvergnat relinquishes velveteen and jackets for a great-coat, and there he sits like a dragon guarding his treasure, surrounded by masterpieces! He is a cunning connoisseur by this time; he has increased his capital tenfold; he is not to be cheated; he knows the tricks of the trade. The monster among his treasures looks like some old hag among a score of young girls that she offers to the public. Beauty and miracles of art are alike indifferent to him; subtle and dense as he is, he has a keen eye to profits, he talks roughly to those who know less than he does; he has learned to act a part, he pretends to love his pictures, or again he lets you know the price he himself gave for the things, he offers to let you see the memoranda of the sale. He is a Proteus; in one hour he can be Jocrisse, Janot, Queue-rouge, Mondor, Hapagon, or Nicodeme.

The third year found armor, and old pictures, and some tolerably fine clocks in Remonencq's shop. He sent for his sister, and La Remonencq came on foot all the way from Auvergne to take charge of the shop while her brother was away. A big and very ugly woman, dressed like a Japanese idol, a half-idiotic creature with a vague, staring gaze she would not bate a centime of the prices fixed by her brother. In the intervals of business she did the work of the house, and solved the apparently insoluble problem—how to live on "the mists of the Seine." The Remonencqs' diet consisted of bread and herrings, with the outside leaves of lettuce or vegetable refuse selected from the heaps deposited in the kennel before the doors of eating-houses. The two between them did not spend more than fivepence a day on food (bread included), and La Remonencq earned the money by sewing or spinning.

Remonencq came to Paris in the first instance to work as an errand-boy. Between the years 1825 and 1831 he ran errands for dealers in curiosities in the Boulevard Beaumarchais or coppersmiths in the Rue de Lappe. It is the usual start in life in his line of business. Jews, Normans, Auvergnats, and Savoyards, those four different races of men all have the same instincts, and make their fortunes in the same way; they spend nothing, make small profits, and let them accumulate at compound interest. Such is their trading charter, and that charter is no delusion.

Remonencq at this moment had made it up with his old master Monistrol; he did business with wholesale dealers, he was a chineur (the technical word), plying his trade in thebanlieue, which, as everybody knows, extends for some forty leagues round Paris. After fourteen years of business, he had sixty thousand francs in hand and a well-stocked shop. He lived in the Rue de Normandie because the rent was low, but casual customers were scarce, most of his goods were sold to other dealers, and he was content with moderate gains. All his business transactions were carried on in the Auvergue dialect orcharabia, as people call it. Remonencq cherished a dream! He wished to establish himself on a boulevard, to be a rich dealer in curiosities, and do a direct trade with amateurs some day. And, indeed, within him there was a formidable man of business. His countenance was the more inscrutable because it was glazed over by a deposit of dust and particles of metal glued together by the sweat of his brow; for he did everything himself, and the use and wont of bodily labor had given him something of the stoical impassibility of the old soldiers of 1799. In personal appearance Remonencq was short and thin; his little eyes were set in his head in porcine fashion; a Jew's slyness and concentrated greed looked out of those dull blue circles, though in his case the false humility that masks the Hebrew's unfathomed contempt for the Gentile was lacking.

The relations between the Cibots and the Remonencqs were those of benefactors and recipients. Mme. Cibot, convinced that the Auvergnats were wretchedly poor, used to let them have the remainder of "her gentlemen's" dinners at ridiculous prices. The Remonencqs would buy a pound of broken bread, crusts and crumbs, for a farthing, a porringer-full of cold potatoes for something less, and other scraps in proportion. Remonencq shrewdly allowed them to believe that he was not in business on his own account, he worked for Monistrol, the rich shopkeepers preyed upon him, he said, and the Cibots felt sincerely sorry for Remonencq. The velveteen jacket, waistcoat, and trousers, particularly affected by Auvergnats, were covered with patches of Cibot's making, and not a penny had the little tailor charged for repairs which kept the three garments together after eleven years of wear. Thus we see that all Jews are not in Israel.

You are not laughing at me, Remonencq, are you? asked the portress. "Is it possible that M. Pons has such a fortune, living as he does? There is not a hundred francs in the place—"

Amateursh are all like that, Remonencq remarked sententiously.

Then do you think that my gentleman has worth of seven hundred thousand francs, eh?—

In pictures alone, continued Remonencq (it is needless, for the sake of clearness in the story, to give any further specimens of his frightful dialect). "If he would take fifty thousand francs for one up there that I know of, I would find the money if I had to hang myself. Do you remember those little frames full of enameled copper on crimson velvet, hanging among the portraits?... Well, those are Petitot's enamels; and there is a cabinet minister as used to be a druggist that will give three thousand francs apiece for them."

La Cibot's eyes opened wide. "There are thirty of them in the pair of frames!" she said.

Very well, you can judge for yourself how much he is worth.

Mme. Cibot's head was swimming; she wheeled round. In a moment came the thought that she would have a legacy, she would sleep sound on old Pons' will, like the other servant-mistresses whose annuities had aroused such envy in the Marais. Her thoughts flew to some commune in the neighborhood of Paris; she saw herself strutting proudly about her house in the country, looking after her garden and poultry yard, ending her days, served like a queen, along with her poor dear Cibot, who deserved such good fortune, like all angelic creatures whom nobody knows nor appreciates.

Her abrupt, unthinking movement told Remonencq that success was sure. In the chineur's way of business—the chineur, be it explained, goes about the country picking up bargains at the expense of the ignorant—in the chineur's way of business, the one real difficulty is the problem of gaining an entrance to a house. No one can imagine the Scapin's roguery, the tricks of a Sganarelle, the wiles of a Dorine by which the chineur contrives to make a footing for himself. These comedies are as good as a play, and founded indeed on the old stock theme of the dishonesty of servants. For thirty francs in money or goods, servants, and especially country servants, will sometimes conclude a bargain on which the chineur makes a profit of a thousand or two thousand francs. If we could but know the history of such and such a service of Sevres porcelain, pate tendre, we should find that all the intellect, all the diplomatic subtlety displayed at Munster, Nimeguen, Utrecht, Ryswick, and Vienna was surpassed by the chineur. His is the more frank comedy; his methods of action fathom depths of personal interest quite as profound as any that plenipotentiaries can explore in their difficult search for any means of breaking up the best cemented alliances.

I have set La Cibot nicely on fire, Remonencq told his sister, when she came to take up her position again on the ramshackle chair. "And now," he continued, "I shall go to consult the only man that knows, our Jew, a good sort of Jew that did not ask more than fifteen per cent of us for his money."

Remonencq had read La Cibot's heart. To will is to act with women of her stamp. Let them see the end in view; they will stick at nothing to gain it, and pass from scrupulous honesty to the last degree of scoundrelism in the twinkling of an eye. Honesty, like most dispositions of mind, is divided into two classes—negative and positive. La Cibot's honesty was of the negative order; she and her like are honest until they see their way clear to gain money belonging to somebody else. Positive honesty, the honesty of the bank collector, can wade knee-deep through temptations.